Another recent one but absolutely killer. Material Comp for "character" compression, lots of variety over compression response and colour you can add to the signal. Surprised how much punch you can get with it! TB Compressor4 as my workhorse digital compressor, won it in a competition but didn't get round to using it for a year. Can really do fucking anything with that ecosystem Kilohearts multipass for when I want to get crazy or surgical. Don't know why but I just prefer it over the countless other ones out there. Overtone DSP DYN500 for SSL style compression. Kush Omega plugins for adding a bit of "spice", don't always use them but in the right situation they can really take things up a notch.ĭQ5010 if I want to add a bit of sampler crunch, bit of a "secret weapon" and prefer it over bitcrushing most of the time. Can cover so much ground with it, works well in so many situations. Kelvin when I want some high quality saturation with lots of control. Sonimus Satson for adding a bit of crunch, sometimes use de-emphasis to cut some lows before adding them after, stops it getting farty Instantly makes a break sound like it was lifted from a 60s record. Little Radiator for when I just want to add a bit of meat to a break. Allows for just the right amount of control whilst also having a quick and efficient workflow. Saturate for clipping duties, detail preservation can work really wellĮnvolution for transient shaping, only got it recently but quickly become a favourite.
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